The scene is a traditional commercial kitchen, or chop bar in the middle of a housing compound. Grain spills from a cracked clay pot and a hungry little hen pecks at it. Bubbling over the fire, cauldrons of food waft delicious fragrances that call to passersby as Hawlatu cooks for a living. Naab-Morg Musah Abdallah depicts a woman whose work is making and selling omu tuo – savory Ghanaian rice balls.